director of photography, peter gray, dp, cinematography, dop, cinematographers, lighting cameraman, videographers, dv, high definition, 24p, digital films, HDW-F900, CineAlta, Varicam, AJ-HDC27F, Viper, 70mm, independent films, lighting directors, filmmakers, filmmaking, HDW-700A

Sony 'CineAlta' HDW-F900 HD Camcorder

Guide to Menu Settings for the Sony (24p) CineAlta HDW-F900 /3 ("slash 3") upgraded camcorder:

F900 /3 PAINT Menu

The Procedure To Copy The Menu Settings From One F900 Camera To Another Using Memory Stick

Down And Dirty Method For Matching F900's & F950's In The Field

Correcting Non-functioning Pixels in the Sony HDW-F900 Camcorder

Setting the internal menus in the Sony RM-B150 remote "paint box"

Connectors and wiring details for 8-pin remote "paint box" cable for Sony HDW-F900

Tri-level Sync Issues on the Set

Dip Switch Setting for Ambient ACL 202CT / ACL 203 Lockit box & Denecke SB-T Trilevel Syncbox, for all configurations with F900

Single-System & Double-System Sound Recording Techniques with HD Camcorders and 23.976 timecode

HD Audio Monitoring (wiring schematics)

Suitable Grades of HD-SDI Cable for HDTV Production

Plasma Models Capable of Displaying 23.976psF

SMPTE & ITU Video Specifications - Quick Reference

How To Set Up a HD monitor as a Standard Reference

Exposure Index (ASA) Equivalents for SONY HDW-F900 CineAlta High-Definition Camcorder

DTV Production and Transmission Standards

List of Labs that will convert Digital Video to 16/35/70mm Film

Format Wars - Comparison of Video, Digital, HD, and Film

The First Digital Imaging Medium:
(or the original, all-digital "CCD" ....... a Dose of Digital Reality)

Peter Gray
(near Los Angeles)
P.O. Box 5132
Pine Mountain Club, CA 93222
United States of America
cell: +1 (661) 219-3981
telephone1: +1 (661) 268-1530
telephone2: +1 (661) 242-1234

dp@petergray.org